My first imperative was to organize and then work out my relationship to all this material—how to select, how to report, how to disengage, how to cope, and, finally, how to move on. Each new version of the book I attempted provided a step on my way to a deeper sense of clarity, a new place where I could eliminate the unnecessary and find the path that held this story together. I knew the basics: the anti-Semitism my father experienced when told that he would have to stand in the back of his medical school classroom; the obligatory marriage to the woman who asked her father to pay for her future husband’s education in France; my father’s forced incarceration in the Zawiercie ghetto where he fell deeply in love with another woman, my mother, Frania; their separate transports to Auschwitz and the deaths of my father’s first wife and daughter; the fundamental facts surrounding their reunion after the war; and the powerful effect of a feature in The Saturday Evening Post which finally brought them together permanently in America.